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Inner Dimensions-Enamel without Metal Formation of Zih-Ci Liang’s Art Practice

國立臺灣藝術大學 / 工藝設計學系 / Author:LIANG, ZIH-CI

Inner Dimensions-Enamel without Metal Formation of Zih-Ci Liang’s Art Practice's Cover

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The hands, in the process of creating artworks, record the personal feeling and experience. An artist faces the true inner self by creating artworks. During the creation, artists have an “iceberg conversation” with the inner self and extract the emotion from the real life to the abstract memory. The enamel pulled out from the body transforms into the “Enamel without Metal Formation” outline that shows the extension of wonderful memory of water from subconscious. In this artwork, the two art styles of “sentiment” and “realm”, as the jewelry and decoration made of the enamel without metal formation, separately signify the conversation of sentiment between human body and space. From the micro-perspective of the artworks, which carry the changes of sentiments and feelings, it describes the emotion hidden in the heart.