The main purpose of this thesis is to explore the relationship between the memory symbols and sensory visual images in the arts, and to reflect on how the author's living environment, profound experiens,and representatives of his time form emotional projection of "minute objects ",to build up an imaginary of micro-objects with a literary image micro-view, and to proposes how to ponder and construct them and then compose and reconstruct them into the works.Though the analysis of the works, the hope to find the source of the symbols of creation in order to sublimate the basis of future creation, and to try to superimpose the relationship the connection between humman beings, nature, and objects, so that the natural and man-made objects can be said to have a unique human empathy,and the works can inspire the viewers to feel, observe, and resonate with all things in a deeper layers way.

The overall structure of my thesis uses literary techniques and psychology as the entry point to explore and analyzes the creative process and its content.These strategies aim to increase the consideration to the development and feasibility of graphic works by making reference to various forms of works.Eventually, influenced by the use of polyphonic music and fiction in musical composition and literary discourse,the author proposes the term "polyphonic expression" in visual art performance to visualize the expression of this discourse.