This creative research uses the English “yBa” for the life beginning of “Dang Dai He” in search of the imagery world of “Dang Dai He” construct. Through Schiller’s concept of “Schein”, it self-described the experiences of "unhindered" mentality from the dimensions of “game impulses” and “spiritual activities” as well as Cooley’s “glass-self” and Bowlby’s “dependence”. Then, the shaping of original thinking and the conversion of the mental image of “Dang Dai He” are being analyzed. Through the visual escape and transformation in “The metaphoric shaped configuration”, the visual and tactile framework escape in “Self-discovery” and the avoidance of cognitive embarrassment in “Reemergence of Schein”, the soul imprint of “Dang Dai He”is being explicated via the creations of these three main series. Also, from “Memory and bruises “and"Carriers and Limits”, the heterogeneities of the work and the fragmented and attributed state of bizarreness are being explored. The purpose is to give spirit image of "meaningful form" through “yes or no”, “Linsanity” and “Never give up” by the explorations of “Existence” and “Nothingness”. This would build a critical production symbolizing “perseverance, tenacity and surpassing” and lay an original energy of the "painted dance", so that the life could advance into the peak of “triangle”, burning as the “Eternal Flame”. It is hoped that “Dang Dai He” can “be born as the splendidness of the summer blossom and die as the tranquil autumn leaves” and pursue the “eternal truth” achieving the affection belonging to “the possibility from impossibility, the certainty from uncertainty, the existence from the inexistence and the freedom from the unfreedom”. “Dang Dai He” may not be the first, but it shall be the only one, the only creation of unique “immortal art” consisting of eastern “supreme bird” integrated with western dynamic media through “simulacra”.