In this study, it takes the imitation theory as the main creation part, which goes through all the process of artistic development. At the same time of achieving the more advanced imitation to the realistic world, science and technology also deeply influence the way art is presented and experienced. Up to now, the application of interactive technology in artistic exhibitions has become a normality, its real-time feedback of spatial experience and the human body in the realistic environment pushed the imitation of mankind on the real world to the cognitive realness. In the definitions between “true” and “false”, “the realities” and “fantasies”, art experience mode and creation mode update along with the cognition and thinking changing process driven by the development of science and technology.

In this study, it firstly gets started from the artistic experience in different times and forms, analyzes the essential content it delivers, it extends to forecast the basic trajectory of artistic development from the correlation of experience and technological development, which is verified by the transition of contemporary new media, with which to analyze the characteristics of the contemporary experience. Then, by combining with the conflicts between real experiences and artistic brightness in the art development process, it makes a combined discussion on the unique charm of the numerically digital art language brought by science and technology. The discussion on the more advanced simulation of science and technology on the reality by basing on art imitation theory and the ways of viewing, experiencing and seeing, as well as the connotation of existence of artistic brightness in the context of science and technology, it analyzes the physical nature and experimental experience of mankind in the information revolutionary era, and it attempts to break though the currently existing presentation way and cognitive system, so as to have a new form of space experience.

Science development makes art performance process highly mutable and even results in their losing original images. This study abandons the old concept of spatial perception, starts a new method of artistic expression, and applies the content initiated by this kind of method to get the perceived depth of new experience level. By stepping away from the cognitive system under established idea and technical convention, this study examines the new artistic thinking and form in the modern age of science and technology.