The narrative short film, 30 Days tells the story of a 10-year-old girl going through puberty and genital development. Upon discovering swelling in her chest, she mistakes herself as having breast cancer. Hence, she sets out on a journey of growth.

Through a child’s innocent perspective, this film presents the life topic that many adults still ponder today. What are we born for? What do we die for? It indirectly discusses the philosophical issue of life and death. This work originates from the screenwriter’s own experience. It is more like marking the funeral of childhood as she moves into puberty. It records her physical transformation, the changes in her role within the family and society, bidding farewell to her innocent days.

The thesis is in six chapters:

The first chapter is the introduction. It gives an account of the creative motivation and background information of 30 Days.

The second chapter introduces the main theme and literature review. It relates the core theme and references in 30 Days.

The third chapter explains the creation of the screenplay. It explicates the structure, analysis, and character designs of 30 Days.

The fourth chapter discloses the film style and presentation strategy, relating the pre-production setting for cinematography and artistic style.

The fifth chapter discusses the film production and execution. It elaborates and analyzes the production of 30 Days, from its pre-production, the filming, to post-production.

The sixth chapter talks about the screening and feedback. It sorts out the screening of 30 Days, the audience feedback, and the review of the film itself.