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裝飾性風格的動物圖像-謝伊琪的創作論述-28

國立臺灣藝術大學 / 美術學系 / Author:HSIEH, YI-CHI

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The topic of this paper, "Decorative Animal Images," is as if this is also a requirement. Each and every era needs his own understanding of space, especially the author's emotional space.

Material to create these elements found in nature, and then by the author's ideas to create materials, colors can be for the author to convey the essence of everything. At the same time, it can also respond to the author's strong emotion triggered by the stimulation of human and occasion’s interactions.

Especially the color, perhaps more sketch, is a kind of liberation.

And these ancient methods can be replaced by a new generation of things. Just like sketches and colors, they are all the ways to express works.

The performance of new skills is always weird because their interpretation is not the same as what the previous generation of artists were interested in. After all, the color is extravagant, needed.

She often fully integrated into the painting, and she knew very clearly; in her own creative liberation of emotions, to allow audiences to understand more; she does not want her work to achieve a unified integrity. The author just wants to express her inner feelings. To artist, the character of her emotion and the reason that being alienation are usually a difficult thing for her. Thus, for he creations should not be controlled by rules.

In the author's creation of animal images with figurative and unrealistic decorative style, there is a original idea that echoes one after another, which can be further researched and discussed in the form, style and technique of the author's works. With the idea of equality of all living beings, the animals will be humanized with a view to enabling viewers to treat the world with good hearts and make them beautiful and safe. She wishes her works inspire people to treasure all animal with equality and dignity.

In the author's creation, the animal is the theme. She wishes to use art to imitate the images of various animals in nature. She has always believed that the work of an artist can identify the characteristics of life and meanwhile it can be compared with those of art, so that works of art are like the nature can portray the richness of an artist’s creation and inspired artists to create. At the same time, like the creatures in nature, through her beautiful and dazzling works, the artist can approach the real power and represent author's subtle and introverted emotional expression based on the profound "love" on animals. However, in the heart of her world, there is a very strong feeling about the power of emotion. This passionate force always illustrate grief in her works.

The author believes that an artist needs to have a relatively strong love, but also have the ability to absorb and sustain this force, can be infused into the creation of works of art.

And all the creative works of art are also the source of the overall courage and the whole in-depth analysis. However, do not all of them come from "love"?

It is always intriguing to keep the soul performance in creation with love.