The visual style of an animation work is not just for the sake of art design but reflects the very personal aesthetic taste of the artist and his viewpoints. Therefore, in the first chapter, I illustrate the different faces of my visual design style and my idea through each creation made in the past years. The second chapter analyzes my final project, “The Soliloquist,” which includes the process of this production: The inspiration, pre-production, applied digital tool, and the storyline and its image. The whole chapter tries to present the developing stages. The third chapter consists of the study of key elements of visual design used in animated short films and the comparison of individual creation with the contemporary style. The final chapter is a summary of previous chapters and a comment of overall animated film production environment in Taiwan, especially on the independent filmmakers.