The text statement the motivation of using cloth as the main material and explains the creation and form of cloth. All of materials have their own language especially cloth. The word “textile” of line can be the imagination interface of tangible or intangible. The study of creation is from perception link to cloth using and leading the sense of touch experience between body and cloth. At the same time, according to the literature which explores the application and evolution of cloth and then explores the “line” transformation, and statement the thee-dimensional form to the memory of “cloth”. One is from the plane evolution and transformation, and analyzes the difference between line and linearity, another explores the spirit of Chinese and Western art in context, and then explores the perception level to discussion. In addition, to connect the artistic realm of Lao Zhuang’s thought from the western artistic spirit, illustrates the difference of using “white concept” and explain the difference from author’s creation and white concept.

Author’s creation skill and creative process analyzes, the main explores the dependency relationship between plane and sculpture, and in the physical experiment try to use line to show siphon action and connected to the imagination. In the analysis of material and creation object try to use the creation form of material link to sense, to explains the material as a tactile interface and produce the memories of touch. Finally, author looks back the process from occupation experience to creation development and compares the differences of every particular period creation.