Life is fragile for most of us. Nihility is the basic condition in the virtual world. The friction and understanding between us、particularly our emotional conflicts and sublimation between friendly and unfriendly feelings can all be relayed in the virtual world. The absolutely truth in the world of indirect contact exists no more. Could we show our feelings from our inner world to a space that is structured by programs and electronics? Could we trust the emotion built in the virtual world? Alternatively、should we be sensitive and keep our observing attitudes to criticism?

What emotion should we have when we encounter digital virtual artwork? Should we act as if we are observing a painting or closing our eyes to listen to music? Each reaction proves our Existence in the virtual world. What we need to do is to feel、not to understand.

The collected literatures include an interactive feature in the digital world in the genre of 「dissent」 video and audio art. Related art works belong to related fields and cannot be classified、such as e-Literature、visual LSD、SinoLogic Arts、and Spanish COPYFIGHT. These creators are all uncommon artists who often use science and technology to express their feelings. Their exceptional style of advancing humanity can be taken as references for those who love to follow fashionable techniques.

This study’s goal is to experiment with visual and sound producing mediums in order to construct feelings of alienation and provoke objective emotions thereby arousing the subjective imagination. The purpose is to improve the Quality of virtual interactive processing. The movement of the mouse will activate a response that will amuse game players. Emotional reactions bring out amusement. If we can abandon our preconceived opinions、forget imagination and only wait and reply to each interaction of joy or pain. We will then be surprised.