"To Observe heart from A Draw Circumstance" research of ink painting, for example around person, at things and the objects which have been studying for author paper. The connected thinking of spirits and objects are what I explore. Together the generated emotion with painting and calligraphy connect with created painting. No sooner had I draw ink painting than I apply the most experience to calligraphy and painting.

The field of artistic expression is broad and the thought is integrated with oriental thoughts. It is deeply into the ancient of characteristics, modern Chinese and foreign paintings. Artist applies media technique. From the appearance of form shows it which it goes beyond representative and image that integrates Eastern and Western ideas and realization from macroscopic to microscopic. To inject author’s artistic painting of showing her.

In the research and the practice of creating paper, she starts writing mastery and creation. In the process of observing sketches for a long time, feeling the process of depict the nature and from objective to the subjective all know what I can be finished. I correspond with natural scene to emotional perception by their way. Used to Eastern and Western aesthetic theories and images to cross-reference, blending ink, wax, pastel and acrylic media that seek a new look of creation.

The theoretical construction of this research is based on the second chapter. The creative theoretical have been exploring the academic theory of Chinese and Western aesthetics. Chapter three has created research thinking and have practiced inspired by the omnipresent nature. Thinking of connect and integrate of creation through the process of observation, understanding and sketching. Chapter four, author gets through the creation concept and techniques, she interpret the created paper in three series of endless reproduction, strong toughness of life and freehand brushwork. In the basis traditional of ink and wash of seeking the creative spirit of contemporary painting.