This thesis is divided into two parts, "Solo Recital " and " Vocal recital ", both of which include programme notes and performance repertoire.

　　First part, "Solo Recital " includes: “Ideale”, “Sogno”, “Preghiera” by Francesco Paolo Tosti (1846-1916); Lieder und Gesänge von Kerner, Heine, Strachwitz, Shakespeare, op.127 by Robert Alexander Schumann (1810-1856), includes No.1 “Sängers Trost”, No.3 “Es leuchtet meine Liebe”, No.4 “Mein altes Ross”, No.5 “Schlusslied des Narren”; An die Musik, Op.88 No.4. D.547 by Franz Schubert (1797-1828); Aria “Vedro mentr’io sospiro” from Wolfgang Amadeus Mozart (1756-1789) Opera “Le Nozze di Figaro”; Francis Poulenc (1899-1963) suite “Le Bestiaire”, includes “Le dromadaire”, “La chèvre du Thibet”, “La sauterelle”, “Le dauphin”, “L’écrevisse”, “La carpe”; “Danse Macabre” by Charles Camille Saint-Saëns (1835-1921); Aria “Di Provenza il mar, il suol” from Giuseppe Fortunino Francesco Verdi (1813-1901) Opera “La Traviata”.

　　Second part, " Vocal recital " includes: Der Blumenstrauß, Op. 47, No. 5 by Felix Mendelssohn-Bartholdy (1809-1847); Ich liebe dich, WoO 123 by Ludwig van Beethoven (1770-1827); In der Fremde, Op.39, No.1 by Robert Alexander Schumann (1810-1856), and Myrten, Op.25, includes No.1 “Widmung”, No.3 “Der Nussbaum”; Lachen und Weinen, D. 777 by Franz Schubert (1797-1828); Das Veilchen, K.476 by Wolfgang Amadeus Mozart (1756-1789), and Aria “Non più andrai” from his Opera “Le Nozze di Figaro”, K.492; Wie Melodien zieht es mir, Op.105, No.1 and Meine Liebe ist grün, Op. 63, No.5 by Johannes Brahms (1833-1897); Taiwan Songs “Wu yia hue”, “Bang tshun hong” and “Guan na pa khui sim lai e thang”; Aria “Madamina, il catalogo è questo” Wolfgang Amadeus Mozart (1756-1789) Opera “Don Giovanni”, K.527.