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The painter must express his own thoughts and emotions and select the material of the visual world to use as a medium and it has no subjective feelings and values.

The use of painting and calligraphy as a direction is the desire to express the authors emotions and thinking through co-construction.

Through the Western method, it constitutes the recombination of painting and calligraphy, and recreates the central concept of the work with context.

By this research, we can further express the co-construction and new look of books and paintings.

In this creation, we can understand the presentation of books and paintings, and improve the relationship between calligraphy and paintings, and the possibility that the book and painting are juxtaposed and present another style, and through the co-construction of the presentation, and then try to make another change to the expression of the book and the painting, the phenomenon of emotional state of womens flowers, Buddhas language, and traces, with praise, irony, empathy, fantasy, or spiritual pursuit.Use the brush to convey the spiritual thoughts of the author.

Therefore, the individual expressions of the book and the painting and the integration and integration of the heart are the study of individual creation. Thus, how to express this characteristic of co-construction, and use this idea to express its three aspects, to complete the study of painting and painting-contextual reconstruction.As a foothold in the development of calligraphy and ink painting in the future.

The full text is divided into six chapters for research and results.

The first chapter contains research motivation, purpose, content, and methods.

The second chapter explores the outlines of calligraphy and ink painting and the combined thinking of painting and calligraphy.This chapter explains the origin of calligraphy and painting and the reference of Western art.

The third chapter is about the construction of the concept of creation and the experimental and contextual expression of the co-construction of painting and calligraphy.By using the West to form a fusion of Eastern thoughts, try to form a new pattern of its paintings, express the artistic spirit of the East, and pursue the performance of the artistic conception.

The fourth chapter is about the concept and practice of creation, including the mastery of painting elements, the recognition of content forms, and the analysis of creative ideas.

This chapter is a conceptual factor in my inheritance of tradition and the addition of new ideas.Such as the contrast of color, the contrast of the area, the contrast between the color and the colorless, the technique of fusion ink and meticulous painting

Although this chapter covers the authors entire creation, including the concept and content of the creation, the understanding and practice of the form, and the discussion of the creative process.

The fifth chapter uses co-construction to express the three levels of book, painting and co-construction based on the experience of visual aesthetics.And the re-creation of the situation to elaborate the central concept of this work.

Can be divided into three series

(1) Womens Flower Series:

Through the meaning of women and flowers, the emotions of women and flowers are presented. Therefore, the existence and presentation of this emotion more vividly tells the emotions and ideas hidden from the heart.

(2) Buddhist language series:

Through the ambiguity and context of the Buddha language, it reveals the atmosphere of inner purification, highlights the essence of the Buddha, and expresses personal feelings.

(3) Trace series:

What life reveals is the eternal value of reproduction and creation, and the meaning of life existence through the life course of things.Let us cherish and respect all life by showing the traces of the mind

The sixth chapter concludes with a reflection and outlook.

Review the harvest and lack of the research process and research results, and the future direction of the goal, as the target foundation for the development of personal ink painting in the future.