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誰知道什麼時候就這樣持續下去?-展場記錄2

國立臺北藝術大學 / 新媒體藝術學系碩士班 / Author:Jo-Lin Hsieh

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Allow in school after 2012/03/09

With the overwhelming influences of globalization, many contracting factories in Taiwan are forced to move the production line to other developing countries in 90s. Employees are forced to live away from their families due to the personnel assignment from the manufacturers. With no exception I was also one of the children who grew up in a home without parents’ accompanies. My personal experience drove me to think whether there is a place, rather than a typical “home”, that I truly belong to?

In the series works, a nostalgia-alike emotion revealed the desire of “home”. I went back and forth in an unfamiliar non-place where homely and indifferent feelings mixed with each other complicatedly. The trace I left were from the movements in the margin of both unfamiliarity and intimacy .

Facing the disarmed subject, one can only collect the scattered and weak perceptions from the decaying memories. Memories promised as well as the subtle signs which connected physical body and the surrounding universes. Through tracing back those signs I hope to map out the flowing, subtle petites perception system.