Facing the numerous images and messages in digital era, whether it is documentary, real, or virtual, we had lose the ability to identify true and false. We are the observers whom are controlling these visual instruments, and we have been visual observed at the same time. When there is nothing exited or we can’t see things, we doubt our own eyes even we saw something, because we have lost the sensibility for things.

This thesis started with research background and motivation in the first chapter. The following chapter proceeded from the observer’s personal experiences to discuss the visual revolution brought by visual instruments, which is developed by the author as the background discourse between being seen and being narrated. The third chapter described the exhibition type and concepts of this image creation project. Then the fourth chapter is back to review the author herself about this whole creative process. The fifth chapter as an epilogue, the author wish to find the position of her own observation in digital era.