The National Palace Museum tibetan Song Dynasty Buddhist paintings - Guanyin of One Thousand Arms and Eyes. to see the world's sound of the sa, the center of the buddha in the center of the painting axis around the painting from the Western Zodiac 12 Palace images. "Eclipic Twelve Palaces" originated in Western astrology, and since Napoleon's expedition discovered the reliefs of the Zodiac Palace of Dandra, scholars from all sides have been studying the ancient Egyptian Zodiac 12 Palace. In addition, astrology since the Middle Ages introduced from the West to eleven in the twelve palaces or twenty-eight places to push the fate of the fortune-telling method, astrology to occupy the fashion of the moment. And the Chinese Dr. Song Yuanshi is keen on star life, but also often with the sorcerer exchanges, explore the star life, quite a few people familiar with their star life bureau, often to guess.

This paper mainly discusses the Song Dynasty secret religious beliefs and painting style reflected in this painting, as well as the image of the Zodiac Palace and its era transformation, combing the close relationship between ancient beliefs and astronomy, and explaining the comprehensive characteristics of ancient knowledge. The second chapter investigates the painting style and the background of the times, the symbolic analysis of the hand-held hand,the image, the composition, the discussion of the Image of the Buddha's companion and the origin of the subject matter. The third chapter is based on the relevant books and paintings organized by different eras, in order to explore the eastern transmission of Western astrology, the traces of the chinese native astrology, and the reasons for the confluence with the constellations. The fourth chapter is aimed at the artistic style of each twelve palaces, pushing the performance from Egypt to China a series of style evolution. The fifth chapter summarizes the art and historical value of the paintings discussed in this paper.