The proposition of this thesis is based on the author's combination of the names of two artworks : " Visualization gone-Single Pages" and " Obscured -Kaleidoscope " . In the " Visualization gone " work, the artist focuses on the destruction of physical vision, while in " Visual back-kaleidoscope " the psychological reconstruction of the mind is observed.

The themes of the works in the thesis are divided into two categories: the interpretation of intertextuality to "character" and the influence of "color" through subjectivity and contraction. This paper aims to explore both the spatial relationship, organic consciousness , material use . From design- point of view, the artist’s works lean towards "self-form aesthetics". The foundation of creation is a condition of confidant, and the work is based on the concept of transition, mimicry and society, personal growth and social work experience. If we focus on the expression of Minimalism and conceptual art, the spatial relationship in the works, the organic consciousness of the materials and the author's works in the relationship between art and design are explained.